  
				 This gallery is a special one for 
				me. As much as I love the rose paintings, when I look at some of 
				the other possibilities for flower paintings I want to work on 
				new portraits there also. 
				 
				I have tried the Iris and the Calla Lily but there are so many 
				others. I am hoping to do an orchid soon. But even some of the 
				common flowers we see every day such as the daisy are amazing 
				when I study them in detail. There are so many choices - so many 
				beautiful flowers. | 
				
			
			
				
				 
			
				  
		
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				Iris 
				 
				In California we have a wide range of Iris to enjoy. This is an 
				import that does very well here. It is small and so beautiful 
				during its short life. 
				 
				there are not many roses with any kind of blue or violet tint to 
				them but the basic Iris family is almost all of that tint. 
				 
				This painting was such a pleasure just to play with such 
				powerful pigments in the blue and violet family. Painting is, as 
				one artist I know said, mostly pushing paint around a canvas. 
				Well - pushing the beautiful violets around was such a pleasure. 
				 
				Iris, oil on canvas, 44" x 32". | 
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				Calla Lily 
				 
				This is one of the great shapes in nature! 
				 
				The curves and the delicacy of form, of this flower, are 
				pleasing to me every time I look at this painting. I am not 
				commenting on my painting ability but on the beauty of the form. 
				 
				This is another flower that reminds me of the beauty of the 
				feminine form. There is also a transparency of the petal - a 
				kind of translucence - that is only seen after a long slow study 
				of the Calla Lily. 
				 
				I hope to paint more of these in the next year. This and the 
				Orchid are very high on my list. 
				 
				Calla Lilly, oil on canvas, 46" x 32" | 
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				Iris alone  
				 
				This was a very early study I made of the wild 
				California Iris that grows along the coast.  
				 
				I purposely arranged this composition for the single flower and 
				for this combination of colors. The yellow-green of the grasses 
				and the violet of the flower are nearly complimentary colors 
				causing a contrast that makes the flower almost stand out in 
				three dimensions in the original. 
				 
				This painting also shows the value of the alone. It says that 
				beauty can exist even when no one can see it. If a beautiful 
				creation of nature is never seen is it still beauty?  YES!  | 
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